Notes on audio description as a directing choice, not a compliance checkbox.
It's rarely the budget. It's protecting the two hours where the scene actually happens.
Why every video project on my slate starts with a conversation, recorded and unscripted.
On patience, trust, and the footage that never makes the cut but changes everything after.
A working note on pacing picture around sound design instead of the other way around.
Why the unglamorous logistics of access are often the real creative work on a documentary set.